Ce script a été réalisé par Allthingsrobin sur le site Hood Winked.
This transcript was made by Allthingsrobin on Hood Winked.
LOCKSLEY.
SHERIFF’S MAN: Come on, pay up your taxes.
Peasants are emptying their purses into a chest on a table as two men, dressed in black tunics, record their payments. Two guards in full chain-mail uniforms stand watch by the table.
Guards, take this to the Sheriff.
One guard closes the lid and they each take a handle of the chest and walk away, removing their face-mail and revealing themselves as Little John and Will.
LITTLE JOHN: Taxes we do not like.
SHERWOOD FOREST. OUTLAWS' CAMP.
Will and Little John set the chest down on a table already laden with treasures in front of Robin and open it. It is piled to the top with gold and silver coins. Robin is standing between them with a hand on each of their shoulders. He lets out a deep breath.
ROBIN: Phew! Well done, lads. Chuckles.
Little John and Will smile proudly.
NOTTINGHAM TOWN.
A man sets down a large trunk behind a building, then places a small chest on top of it. Djaq leans on a wall nearby.
DJAQ: Sultrily Hello there.
The man turns his attention to Djaq, who keeps him occupied as Much pulls up the box by its handle with a grappling hook from an upstairs window.
SHERWOOD FOREST. OUTLAWS' CAMP.
Much opens the box and reveals a treasure of coins and jewellery. Robin stands between him and Djaq, leaning his arm on her shoulder.
ROBIN: We’re winning.
Much and Djaq smile at each other.
NOTTINGHAM TOWN.
Outside a tavern, Allan walks past a noble seated at a table and stumbles into him as he grabs his purse.
ALLAN: Oh! Sorry, my lord.
SHERWOOD FOREST. OUTLAWS' CAMP.
Allan sets the purse on top of the large chest. The gang is gathered round Robin. Much claps.
DJAQ: Yay!
ROBIN: Come on, we are really winning.
Allan pulls another purse out of his shoulder bag.
But there’s one more prize... if we really want to beat the Sheriff.
NOTTINGHAM CASTLE. INTERIOR CELLAR CORRIDOR. NIGHT.
Robin leads the way down the corridor with a torch, looking for a particular door. He has his scimitar out and the others are also ready with their weapons. Little John brings up the rear with another torch. Robin stops and peers round a corner.
MUCH: How do we know there even is a strong room?
ROBIN: Still looking down the corridor A wild guess.
MUCH: to Allan What do you think?
ALLAN: A little bird told him. A little Marian bird.
MUCH: Disgustedly Hm.
Robin glances back, smiling. Will edges in front of them.
WILL: At a door This is it.
Robin steps cautiously to the door, Much to its other side.
ROBIN: Djaq?
Djaq takes Robin’s torch as the others gather round and Robin sheathes his scimitar.
MUCH: This? It’s just a door. No handle, no lock...
Robin steps forward and the stone under his foot sinks. An arrow shoots from the wall at the end of the corridor behind them and Will hears it.
WILL: Robin!
Will pulls Robin back in the nick of time as Allan ducks. The arrow splits the short distance between Allan and Djaq and lands in the door where Robin’s head would have been.
DJAQ: Apprehensively to Much I do not like this.
Robin shakily and anxiously looks back at his saviour.
ROBIN: Will?
Robin steps back to let Will at the door. Will inspects it, steps around the sunken stone and looks at the stone blocks to the left of the door. Meanwhile, Much has bent down to a string suspended near the floor. He puts his finger under it.
MUCH: Will, what’s this?
WILL: Much, don’t touch that!
Much quickly pulls his finger back, inadvertently plucking the string. They hear a mechanism rumble. The others gasp in consternation as Much quickly stands up in horror.
MUCH: Whines Why do I do it?
A horn sounds and dogs start barking.
ALLAN: Right, I’ll go and check it out.
Allan leaves as Will discovers a loose stone.
LITTLE JOHN: Wait, wait, wait!
WILL: Works the stone out. Look, look, look!
Will removes the stone to reveal a small wheel with pegs round its perimeter.
ROBIN: Turn it! Turn it! Turn it!
Will does and mechanisms whir as dogs come running round a far corner. Robin pushes the door open, ducking back from the end of the arrow protruding from the door. He takes a step inside.
LITTLE JOHN: What is this?
ROBIN: Eyes agog The Sheriff ’s war chest. And that is our poor chest, lads.
As he takes another step inside, an iron gate with spikes on its forward end slides across in front of him. Djaq gasps. The barking of the dogs grows louder. Robin peers through the bars.
WILL: I’m not equipped for this.
ALLAN: Coming back Robin, dogs!
ROBIN: Unconcerned and half-smiling with patient anticipation I know... but we’ll be back.
OPENING CREDITS
NOTTINGHAM CASTLE. SHERIFF'S QUARTERS.
The Sheriff is sitting in a tub, infuriated not only because he doesn’t like baths, but because Robin is thwarting his every attempt to collect taxes. He splashes his face with water.
SHERIFF: Am I to drown in everybody else’s incompetence whilst Robin Hood steals everything that is rightfully MINE? A clue: no! Spits out water Do something about it, Gisborne!
Gisborne is standing with his arms folded and his back to the Sheriff, who splashes water over his arms.
GISBORNE: My lord, we now know the strong room works. It stopped Hood dead in his tracks.
Gisborne turns towards the Sheriff.
SHERIFF: Not dead enough! Stealing my money from me on the way here is one thing. Stealing it from right under my very nose is [slaps the side of the tub] another! The Black Knights are coming, expecting their share out, Gisborne. At this rate there’ll be nothing left to share!
The Sheriff stands up and Gisborne turns away.
I want Hood caught, Gisborne, I want him dead.
The Sheriff clicks his fingers and a woman with two towels steps forward. The Sheriff steps out of the tub. She puts one towel over his shoulders, which the Sheriff wraps round his waist.
Meanwhile, how’s your German?
GISBORNE: Puzzled German?
The servant rubs the Sheriff with the second towel.
SHERIFF: Irritatedly Pat, woman, pat, don’t rub.
She obediently starts to pat his back with the towel as Gisborne realises the meaning behind the Sheriff ’s question.
GISBORNE: Ah, this guest you’re expecting. Turns around to face the Sheriff.
SHERIFF: Yes.
The Sheriff holds his arm out to stop the woman and walks past her to a table behind the tub.
The Count Friedrich of Bavaria is one of the richest aristocrats in Europe, by all accounts.
Takes his tooth from a skull. Walking back to Gisborne: And stupid, too, so... puts the tooth in... you and he should get on.
Gisborne rolls his eyes.
He also has a weakness for gambling.
GISBORNE: Your alterations to the Great Hall.
SHERIFF: Yes. We will extend the Count every courtesy, Gisborne. I’ve taken my bath six months early for a reason. And then we shall take the inbred booby for every penny that he’s got.
They both chuckle. The Sheriff walks away to get dressed.
LOCKSLEY.
A few women are doing their washing in a large tub as children happily run and scream around them, oblivious to what’s about to happen behind the manor.
THE REAR OF THE MANOR.
Gisborne with several of his men have six peasant men gathered.
GISBORNE: The Sheriff wanted me to thank you all for your hard work building his new strong room.
MAN: Mutters, looking down Slave labour, more like it. A bit bolder Where’s our money?
Gisborne grabs the man by his shirt.
GISBORNE: You’ll get what’s coming to you. Releases the man and circles behind them. Now, how did Robin Hood find out about the strong room?
Gisborne, from behind, stands between two men and puts an arm round each. In the ear of the man to his left: Somebody must have told him. Releases them and walks back to the front. Loose talk costs lives.
Gisborne nods to his men and leaves as they draw their weapons.
NOTTINGHAM CASTLE. THE GREAT HALL.
The room is filled with various casino games and people doing last-minute preparations. A small table laden with food and drink is centred in front of the balcony and above it hangs a square ring of flaming pipe. At the opposite end of the room stands a craps table. Near the foot of the stairs is a skittles table. The Sheriff pokes the ears of the roast piglet with the dice hook for the craps table, then turns around and addresses the servants.
SHERIFF: Good. Very good. Walking to the skittles This world is full of idiots [picks up the skittles ball] waiting to be parted from their money. Releases the ball But as you know... the ball hits the pins... the house always wins.
The servants laugh. Smiling, the Sheriff steps to the craps table.
Now, I’ve had this table put here in the middle because dice is the Count’s favourite game and this is the first thing I want him to see when he arrives. Slaps the dice hook at the stickman’s chest. Good. Carry on.
Marian comes down the stairs and strides over to the Sheriff.
Ah, Lady Marian. There you are. Now, our guest is due to arrive very shortly ...
Marian stands before the Sheriff and puts her hands on her hips, disgruntled at being summoned ... and I’d like you to... be a friend to him. I’d like you to make him feel that his every desire is yours to obey.
MARIAN: Shocked at the implication Every desire?
SHERIFF: Mm. Walks behind her, moving her elbow out of his way Show him a good time. What do you think, Gisborne?
GISBORNE: Briefly raises his eyebrows Good idea.
MARIAN: Scoffs No, I won’t.
SHERIFF: Oh, yes, you will, missy. How’s your father, so to speak?
Steps over to Gisborne.
MARIAN: Frail House arrest doesn’t help.
SHERIFF: But very much alive?
There is a moment of silence as Marian realises his implication.
MARIAN: What if he sees my heart isn’t in it?
GISBORNE: Well, then pretend. Deception comes easily enough to you.
Marian is taken aback by his attitude.
SHERIFF: Now, when the Count arrives, I want you to smile for him, and, er... holds up three gold coins in his left hand and looks at her below the neck... buy yourself a gown that, erm, how should I say? Stimulates the imagination.
Holds up the coins by her face. Marian scoffs.
Ah-ah-ah. Removes one coin from his hand and flips it to Gisborne. The cheaper, the better, I think.
The Sheriff leaves as Marian scowls at him. Gisborne gets her attention by holding his coin up at her, then he tosses he coin to the far end of the craps table.
GISBORNE: With disdain Fetch. Leaves.
Marian stands in indignation and utter disbelief.
NOTTINGHAM TOWN. MARKETPLACE.
Marian is looking at some clothes on a table. A castle guard is standing near her.
MARIAN: to her guard Stand further off. Resumes looking You make me feel as if I am under arrest.
A man in a dark cloak and an olive green hood meanders through the crowd to Marian’s left side and, standing close behind her, raises his arm to reveal strings of beads and other trinkets hanging from inside his cloak.
ROBIN: Trinkets for the lovely lady?
Marian, startled, frowns angrily at him, then recognises him as Robin and says nothing, but smiles slightly in anticipation of his antics as he steps back towards Little John and Much and subtly nods to them. Little John and Much take their cue and stride over to a nearby produce merchant.
MUCH: Picking up a cabbage You call this fresh?
MERCHANT: Yes.
MUCH: You can’t expect people to eat this muck?
Much shoves the cabbage into merchant’s chest, who starts throwing punches in return as Robin watches them from the corner of his eye. The guard leaves Marian to intercede.
GUARD: Hey, stop it! What are you doing?
Marian waits until Robin looks at her before quickly stepping to his side. They walk off together towards the well as the ruckus continues.
ROBIN: They have you well guarded.
MARIAN: Why did I choose this?
Much puts a large basket over the guard’s head and gives him a shove as Little John sends his fist into the merchant’s stomach and then dumps him over his table.
I can hardly breathe in there.
ROBIN: Shh. What happened?
MARIAN: They’re expecting a guest today, a rich German count. And they’re making me fawn over him, making me dress up and—
ROBIN: Interrupting A German? Do you think the Sheriff and Prince John are looking for allies abroad?
MARIAN: He’s not an ally, he’s a gambler. The Sheriff has set up gaming tables in the castle. He’s planning to fill his new strong room with the Count’s money.
Robin smiles greedily. Back at the market, Much tosses up and catches a purse with one hand while holding a red cabbage in the other, then tosses the purse to their accomplice, the produce merchant. Little John reaches for an apple as Robin and Marian arrive at the well, where all around it sheets are hanging to dry from washing lines.
ROBIN: Markedly, smiling broadly You see, another good reason to rob him. Leans against a post.
MARIAN: Robin, please, do not go down there. It’s dangerous.
ROBIN: Well, you know me. I like a challenge.
Robin puts his hand on the side of Marian’s head.
You don’t have to do this.
MARIAN: Yes, I do. Without me you wouldn’t even know there was a strong room.
ROBIN: Chuckling “England needs me.”
MARIAN: Seriously Yes, England needs me. England needs us.
ROBIN: And I need you.
Robin leans in and kisses Marian.
MARIAN: Smiling mischievously Guard!
Robin audibly sucks in his breath through his teeth while giving Marian a “I can’t believe you did that; you’re gonna get it” kind of look, then disappears.
SHERWOOD FOREST. NEAR STEPHEN’S COTTAGE.
Stephen, an old acquaintance of the Scarletts’, is standing in the doorway of his cottage, listening with his acute ears, as the gang are walking to meet him.
WILL: We need to break into the strong room, and Stephen was the first person I thought of.
ROBIN: Is he a friend of your father’s?
WILL: No, a teacher, a legend in his day. He doesn’t work any more but he used to be famous. He worked in the Orient. They were his apprentices Gisborne’s lot killed this morning.
STEPHEN’S COTTAGE. INTERIOR.
Stephen, his eyes blinded by cataracts, puts his hands on Will’s face, feeling it.
STEPHEN: Will, still passionate, angry?
WILL: Lots to be angry about.
STEPHEN: True. And your skills. You’re using them... not wasting them?
WILL: I’m with Robin Hood.
STEPHEN: Good. Looks towards Robin. That is not a waste.
Robin smiles slightly. Behind Stephen, Djaq picks up a small, intricately decorated box. Stephen raises the bottom end of his staff back at her.
Do not touch that... please.
DJAQ: I have seen this type of work before. It is Persian, no?
STEPHEN: It was my wife’s.
Djaq sets the box back down. Stephen leans on his staff.
The men who died had families, wives and children. I want them to be taken care of.
ROBIN: They will be. You have my word. If there’s any information you can give us, anything that they told you...
ALLAN: Steps forward. Look, I’m not being funny. We’ve seen this death trap in action, right? And now we’re going to take advice from a blind man?
Stephen suddenly takes Allan’s feet out from under him with his staff.
STEPHEN:When a man loses his sight, he finds compensation in the senses that remain.
Stephen offers a hand to Allan and pulls him up. Allan leaves, slipping between Will and Robin,who takes a step back to let him pass with a wide grin.
I do not intend on joining your mission, but I might be of assistance in planning it.
MUCH: Yes, but what can you possibly know about the Sheriff ’s strong room?
STEPHEN: A great deal. I designed it.
NOTTINGHAM TOWN. THE TRIP TO JERUSALEM INN. EXTERIOR.
Allan stands in the street debating whether or not he should keep his deal with Gisborne. He takes a few steps forward and stops at a post near the door. He makes a mark on the post with chalk and enters.
NOTTINGHAM CASTLE. COURTYARD.
A bell is chiming. The Sheriff is waiting in the cloister as a coach enters to a fanfare. Marian, in a tight, red, low necked dress, stands near the foot of the steps, waiting unhappily. The Sheriff leaves the cloister to go greet his guest as Gisborne comes down the steps and stands behind her.
GISBORNE: With derision Marian, who’d have thought? Folds his arms
Marian sullenly ignores him as the Count, dressed in a greyish purple and gold striped suit exits his coach with a flourish from the lace-edged handkerchief in his hand.
SHERIFF: Ah, Count Friedrich. Welcome to Nottingham.
COUNT: Tell me, are all of the roads in England so bad? I feel like I’ve been beaten like an egg.
SHERIFF: Your safety was my first concern. I organised the route so as to avoid the forest. We couldn’t have your fortune or your good self falling into outlaws’ hands.
COUNT: Unimpressed and annoyed Myself and my men are a match for any rustic ruf.an, I assure you.
The Sheriff steps aside and the Count sees Marian.
Ah!
Marian rolls her eyes. The Count doffs his hat and bows, then slaps it into the Sheriff ’s chest as he steps towards Marian.
Had I known what awaited me here I would have employed winged horses.
The Count bows to Marian, who merely gives him a sullen look.
SHERIFF: Pokes his head in Er, Lady Marian has made it her personal responsibility to make sure your stay is as comfortable as possible.
COUNT: Really?
MARIAN: Flatly I’m very happy to make your acquaintance.
COUNT: Oh, come, come. Acquaintances are for old ladies and priests.
Two of the Count’s men, dressed in oversized suits made of the same striped cloth as the Count’s, carry a small, heavy chest out of the coach.
Takes Marian’s hand We will dispense with such formalities.
Leaning over her hand I am already your friend... brings her hand to his face ... and always your servant.
The Count gives her hand a gentle kiss as Gisborne sneers, then raises his head and smiles at her.
COUNT’S SERVANT: Oh, no!
The Count’s men drop the chest on the steps.
COUNT: Do be careful there! Take the chest to my rooms! Turns back to Marian. It’s a few shillings for the gaming tables. Tell me, do you play, Lady Marian?
MARIAN: With slight contempt Such pursuits are not entirely to my tastes.
COUNT: Then we must find pursuits that excite you more. Tell me, do you ride?
Marian scowls uncertainly, not sure what to say.
NOTTINGHAM TOWN. THE TRIP TO JERUSALEM INN. THE BACK ROOM.
Allan impatiently looks out the small square window in the door.
ALLAN: Come on. Come on.
Allan turns around, then sighs deeply. He waits for a few more moments, then opens the door to leave and finds Gisborne in a fur-edged cloak and hood just arriving.
GISBORNE: Leaving so soon?
Gisborne shoves Allan back inside and pushes back his hood.
Got your message. Holds up a purse. What have you got for me?
ALLAN: Glances back through the door’s window, still not sure if this is wise Robin wants to have another go at your strong room.
GISBORNE: Turns his head aside and lowers the purse Obviously. And?
ALLAN: Well, that’s it. It’ll be the next few days, though, so you’d better be ready.
GISBORNE: Don’t waste my time. I don’t pay for obvious. You’ll have to do better than that.
ALLAN: Like what?
GISBORNE: Who told Robin Hood about the strong room?
ALLAN: Stares a moment Dunno. Gisborne pushes him into the wall. I don’t. Honest. Holds his head high.
GISBORNE: It’s early days in our relationship. But come to me again with nothing, and I will be very disappointed, understand?
ALLAN: Yep. Got it.
GISBORNE: Pulls out one coin Don’t make me wait too long. Holds the coin up high, then drops it on the floor and leaves.
SHERWOOD FOREST. BETWEEN LOCKSLEY AND THE OUTLAWS’ CAMP.
Will and Robin walk through the forest with Stephen, who has his hand on Will’s shoulder to guide him. Little John, Much and Djaq follow.
STEPHEN: The designs were not meant for the Sheriff. They were a commission.
ROBIN: By whom?
STEPHEN: A Persian general. I did not complete the work, but I kept the plan with me always. Then not long ago, my apprentice sold them to the Sheriff. His family were starving. I can’t blame him. He died for it.
NOTTINGHAM CASTLE. THE GREAT HALL.
The Sheriff shows the Count the gaming room, walking in from the door under the balcony and around the food table.
SHERIFF: No expense has been spared for your gambling pleasure: food...
The Sheriff clicks his fingers to a serving girl as the Count sees the craps table and heads straight for it.
... drink, company. We aim to please in every respect. Isn’t that right, Marian?
The Count inspects the dice as Marian stops by the skittles and swings the ball at the pins, which clatter in response to the Sheriff ’s question. The Count and the Sheriff turn to her.
MARIAN: to the Count Is this your idea of sport?
COUNT: Stepping to Marian You do not like the skittles, my lady?
Marian tosses the ball back and forth between her hands.
But it is a charming game.
MARIAN: A child’s game, surely.
COUNT: Hmpf.
MARIAN: Do men really waste their money playing this?
COUNT: No waste if the prize is worth having. Come, let me show you.
The Count puts his hand under Marian’s holding the ball. Marian rolls her eyes.
Gently caress the ball—
The serving girl holds her tray out where the Count can see it.
Erm...
The Count turns to the girl, releasing Marian’s hand, and takes the goblet from the tray as Marian steps behind the skittles table and, with a glint in her eye, lets the ball swing round the pins to the Count.
Danke schön. I thank you.
The Count turns back to resume his lesson just in time for the skittles ball to hit him in the groin.
Ow!
The Sheriff twitches and Marian catches the ball.
MARIAN: Feigning innocence Forgive me, Count Friedrich. My aim was a little wide.
COUNT: In pain Ja. Grunts and sighs, recovering.
Marian tries hard to suppress her giggles.
SHERWOOD FOREST. OUTLAWS' CAMP.
The gang learn more about the strong room from Stephen. Will has made a rough model from twigs. He holds it in one hand while pointing to it with a leftover twig.
WILL: This is the door, the only entrance or exit. There’s no windows.
STEPHEN: The room itself is twenty feet long by twenty feet wide. Both walls are honeycombed with blow-holes, ... Will points to his model ... each loaded with arrows primed to strike a specific spot.
WILL: You step on the wrong stone and... abruptly lifts the twig to finish his statement.
Robin nods, understanding. Much sighs and rubs his neck, not liking what her hears. Djaq is amazed at ingenuity of it all.
ROBIN: Which stones?
STEPHEN: My great innovation. The gang give him their attention. It changes.
ROBIN: Chuckles, then sees Stephen is not joking. Well, that’s not possible, is it?
Will sets the model down on the table and turns it.
STEPHEN: A weighted wheel beneath the floor rotates regularly.
Will turns the model and a few cut-out “stones” remain stationary or fall through the bottom. Each turn defines a new route, changing the order of the sprung stones.
Will looks up at Robin; Djaq turns to Much, astonished.
ROBIN: So any stone can trigger a trap at any time.
STEPHEN: I did not say it would be easy.
LITTLE JOHN: Quietly This I do not like.
Djaq smiles at Much, who forces a grimacing grin back. Robin turns his head, thinking.
NOTTINGHAM CASTLE. THE GREAT HALL.
The Count is at the end of the craps table, Marian along its side, leaning sullenly on the rail. The Sheriff passes behind the Count and stops to watch.
COUNT: Come, Lady Marian, bring me some luck.
Gisborne enters and goes to the Sheriff.
SHERIFF: Where have you been?
GISBORNE: An errand.
SHERIFF: Pointing at the Count, then Marian He’s quite taken with her. Encourage him. He’ll lose quicker.
Grudgingly complying, Gisborne steps over to the Count. The Count turns to him and Gisborne puts on a brief, amiable smile.
GISBORNE: Marian just needs a little coaxing. It’s her way. She says no when she means yes.
COUNT: Really? Then I shall relish the challenge.
Gisborne steps back.
In a helpless voice: Lady Marian, I cannot roll unless you help me.
MARIAN: No, thank you.
COUNT: No-no, Lady Marian. I insist.
Marian grudgingly steps to his side. The Count takes her hand and places the dice in it, then kisses it. Marian sighs, then carelessly flips the dice down the table.
STICKMAN: Lady Marian wins!
COUNT: Ah! You see? I win!
MARIAN: Marian smiles briefly, then regains her sullenness. Perhaps you will excuse me. I have a headache.
COUNT: Holds her arms. Oh, how terrible for you. If I may, I find that a gentle rubbing of the temples [rubs her temples] is most effective.
MARIAN: Smiling, pulls down his arms. You’re very kind, but I think I will go and lie down.
COUNT: As hard as it is, we must let you go.
MARIAN: Thank you for your understanding, Count.
The Count nods and Marian goes upstairs, the Sheriff and Gisborne watching her. The Count turns to the Sheriff.
COUNT: Quite the beauty. I must confess, when I first came to this country, I thought I would not like it. But now... slaps the Sheriff ’s chest... I like it very much! Chuckles and leaves.
The Sheriff forces a chuckle in return. Gisborne turns, raising his brows with a knowing look. The Sheriff chuckles evilly, also knowing what will happen next.
SHERWOOD FOREST. OUTLAWS' CAMP.
STEPHEN: You’ll be up against time. Opening the door turns an hourglass set beside the base of the plinth. When the sand runs through, a final fail-safe is triggered.
Robin turns the model.
MUCH: I shouldn’t ask, but what, exactly?
STEPHEN: There is a vault behind the back wall, containing a vat of molten lead.
Little John rolls his eyes.
It is kept at a constant heat by the fires of the kitchen. When the hourglass is empty, the vat is turned, the liquid flows into a series of gutters.
DJAQ: Realising The pipes in the walls.
STEPHEN: Burning liquid sprays out, covering the entire room. Anyone inside would not stand a chance.
Robin looks up at the sky, first in disbelief, then thinking.
DJAQ: And yet, the coins remain intact because they are harder than the soft lead.
Stephen nods at her. Allan returns, appearing silently behind Stephen.
MUCH: Well, all I’m hearing is arrows, lead, certain death. Encouraging.
Robin taps his fingers on the model, thinking.
ROBIN: How long before the hourglass runs through?
STEPHEN: A slow count of eight score and ten.
ALLAN: Stepping forward In a count of 170, you’ve got to get to the money and get it out?
ROBIN: Sarcastically Nice of you to join us, Allan.
ALLAN: Stepping up beside Stephen Well, I still think you’re mad, but if you want some more help then...
MUCH: Laughs We are mad! We should stick to robbing merchants in the forest.
LITTLE JOHN: Agreeing with Much That we are good at.
ROBIN: Then we will work until we get better at this!
Little John scoffs sullenly. Robin is thinking.
We’ll meet near the old barn, near Clun.
MUCH: What for?
ROBIN: Puts his hands around the model To practise. We are going to build this strong room over there.
Djaq smiles in delight. Will smiles, too. Little John and Much are not happy at all.
STEPHEN: Good!
NOTTINGHAM CASTLE. INTERIOR CORRIDOR.
Marian walks towards the war room. Two sentries stop her.
MARIAN: Oh. Excuse me, can I pass?
CORPORAL: Orders. No-one passes, not even you. Sheriff ’s private room.
COUNT: From a distance behind Marian Lady Marian?
MARIAN: A bit desperately Oh, no. Let me pass, just this once, please.
CORPORAL: Advancing on Marian Well, what’s in it for me? Looks down at her low neckline. Nice gown.
Marian tries to pull her collar in to cover her more, but it doesn’t have much give. The Corporal continues advancing towards her and she steps backwards.
Very fetching. Bit of a new look for you.
MARIAN: How dare you?!
CORPORAL: Just being friendly. Marian backs into a pillar. How about a little... kiss.
The second sentry doubles over after the Count punches him in the stomach. The Corporal turns to see what happened. Marian steps aside.
COUNT: How about a little... The Count punches the Corporal in the jaw ... smack.
The Corporal falls and the Count grabs the other sentry’s helmet and slams his head into the pillar.
to Marian Excuse me.
Marian steps back again and the Count throws the sentry to the floor between pillars. Marian smiles.
MARIAN: Sincerely You are an impressive fighter.
COUNT: Casually Yes, I know. And you are also very impressive in many ways.
MARIAN: Sighs in annoyance Please.
COUNT: Are you not glad I came after you?
MARIAN: I made no invitation.
COUNT: Scoffs You feign a headache and retire. I follow. This is the way that trysts are made all over the world.
The Count takes her hand as if to kiss it. Marian spins round him.
MARIAN: Well, this one is over, all right. As of now.
SHERIFF: From a distance Gisborne!
MARIAN: We mustn’t be found here.
Marian leads the Count into the war room.
WAR ROOM.
Marian rushes in, then hesitates, looking around and staring at the large map in the centre of the room. The Count closes the door and pushes her forward, beyond the pillars.
COUNT: Come. Quick!
The door opens, then the Sheriff and Gisborne enter. Marian peeks round the side of the pillar, behind which she and the Count are hiding.
SHERIFF: There should be a guard on that door at all times.
GISBORNE: Turns to leave I’ll look into it immediately, my lord.
SHERIFF: Wait.
Behind the pillar, the Count puts his head on Marian’s shoulder and she pushes him back a bit with her elbow and an annoyed frown. Marian turns her head back towards the room to hear better as the Count looks down and inspects her décolletage.
First things first. Tomorrow’s meeting. Come here.
Gisborne pulls the door closed as the Sheriff walks towards the map. The Count tries to take Marian’s arm but she steps around him to the other side of the pillar to try to get a better look. The Sheriff shows Gisborne a piece of parchment.
SHERIFF: There. I have outlined the division of the money in my strong room.
The Sheriff lets the parchment curl up and hands it to Gisborne, who takes it with an annoyed look, then unfurls it to read as the Sheriff continues.
You will be in charge of making sure ...
The Sheriff reaches for his pointer as the Count puts a strand of Marian’s hair over his lip like a moustache. Marian pulls it back impatiently.
... our friends, the Black Knights, get their share.
GISBORNE: You wish to strengthen our forces in the south? The share is generous.
SHERIFF: Strategy, Gisborne.
Gisborne gives him a puzzled look.
Pointing appropriately at the map: The King is most likely to land there on his return.
Marian switches sides of the pillar again as the Sheriff approaches the same pillar, but stops before it.
Besides, there will be plenty of funds in the war chest after our German booby loses tonight.
The Count steps seriously beside Marian, his attention now totally focused on the Sheriff.
And we’ll make sure he loses big.
GISBORNE: What if the Count surprises us and wins?
SHERIFF: Wins? Turns around to face Gisborne That buffoon? Mimicking the Count “Ooh, I feel like I have been beaten as the egg.”
Marian notices the Count’s change of attitude.
Mincing oaf.
GISBORNE: But you have made provision just in case.
SHERIFF: You know me too well, Gisborne. Puts down the pointer and steps round the table to him. Of course. All eventualities have been considered.
The Sheriff empties a small bag into his hand and holds it up to Gisborne.
Dice that only roll one way, in our favour.
Gisborne smirks.
Make sure Marian is with us tonight.
Marian glances anxiously at the Count as the Sheriff leaves. Gisborne starts to follow, then stops as if he heard something, then hearing nothing, follows with loud footsteps and closes the door behind him.
COUNT: Piqued, stepping out from behind the pillar What does he think?
Marian follows him out and faces him.
That I will not be suspicious of an invitation out of the blue from a Sheriff in—where are we? That I will not do my homework and find out who he is? Does he not think that his reputation has not spread to Europe? And you... The Count grabs Marian’s arms ... you are in on this little plan. Do you think this is the first time I’ve been offered a girl [looks down at her alluring cleavage] to take my eyes from the tables?
MARIAN: Let go of me! Pulls her arms out of his grip.
COUNT: Do you people think that I am a complete idiot?
MARIAN: Yes! Until now, which is exactly what you wanted, isn’t it?
COUNT: What do you mean?
MARIAN: Oh, come on. The way you fight. You are no booby. Turns to circle the map. I don’t think a booby does homework on his hosts. Turns back. I think it suits you to have people think you are an idiot.
COUNT: It helps sometimes. People play less cautiously. But I am no cheat.
MARIAN: And for what it’s worth, I am no lackey of the Sheriff.
COUNT: So... we are both players.
MARIAN: Sighs and nods sadly And what will you do?
COUNT: Do? Leave. If the Sheriff is loading the dice, I cannot win. I’ll be struck by a sudden illness.
MARIAN: Thinks a moment Don’t leave. Help me.
COUNT: Help you?
MARIAN: Walking to the Count You heard the Sheriff. He’s using the money to plot against the King. I have friends who would like to relieve him of his money before he distributes it. And that’ll have to be tonight.
COUNT: This is a dangerous game.
MARIAN: Nods, then smiles slightly But you’re a player.
The Count ponders the option.
CLUN. THE OLD BARN.
Robin stands in front of Stephen, letting his arms swing in impatient anticipation. Much and Will stand to his left, each holding up two arrows. Djaq stands a step in front of Will with her hands laced together as one fist. Little John is on Robin’s other side, a few steps forward, holding his staff horizontally in one hand. Allan watches from the rear with his arms folded.
STEPHEN: The hourglass turns... putting a hand on Robin’s shoulder ... now! One...
Robin steps forward, then ducks.
MUCH: Holding out an arrow Arrow!
STEPHEN: ... two... three... Robin stands ... four ... Robin sets himself, then takes another step forward ... five... Little John turns with his staff and hits Robin in the stomach.
ROBIN: Doubling over Oof !
Robin puts his hands on his knees and remains bent over, the wind knocked out of him.
MUCH: John, no!
Will lowers his arrows with a flustered look and Djaq turns to Little John with a frown.
STEPHEN: ... six...
LITTLE JOHN: I am stone!
STEPHEN: ... seven.
WILL: Not there, John, no.
LITTLE JOHN: Well then, where?
DJAQ: Indicating in front of her with both hands There!
MUCH: Hang on. Pointing at Little John with the arrow Stone? I thought he was pit.
DJAQ: No, I am pit!
Little John, Djaq, Will and Much all argue at once.
ROBIN: Stop it, please. Nobody hears him and he stands up Shut up!
It is immediately quiet. Little John sighs. Robin puts his palms together.
Looking around as he speaks and catching his breath Lives depend on this: the wives and families of the dead, not to mention what will happen to England if the Sheriff starts to give out that money.
Robin turns around to face the gang, who are hanging their heads in shame.
If we’re going to defeat the strong room, then we have to work as a team. And that means discipline.
NOTTINGHAM CASTLE. COURTYARD.
Marian, in a bright red riding habit, is pulling the mane of her horse out from its head halter. The Sheriff comes down the steps.
SHERIFF: What do you think you’re doing? Stops near the bottom and points to the floor You stay in the castle.
The Count walks out the doors and down the steps as Marian speaks.
MARIAN: Believe me, I would rather stay here. I am merely doing as I am instructed.
Marian steps round her horse as the Count comes down behind the Sheriff.
COUNT: Excitedly Lady Marian is to ride out with me!
SHERIFF: Chuckles No-no-no, no.
COUNT: Well, if I do not ride, I might be out of sorts, and if I am out of sorts, I might decide not to play the tables at all tonight. Hm.
SHERIFF: Very well. I will provide you with an escort. Guards?! The forest is a very dangerous place.
Thinking quickly, the Count puts his arm round the Sheriff as two guards appear from the cloister and stand at attention at the top of the steps.
COUNT: Sheriff, we are both men of the world, ja? Perhaps alone with nature out in the forest amongst the trees and flowers, Lady Marian might not play so hard to get, hm? No guards.
SHERIFF: Looks at Marian, then the Count Don’t be back late.
The Count smiles as the Sheriff chuckles and turns to go inside, raising a hand to dismiss the guards. The Count raises his eyebrows in satisfaction at Marian and walks past her to take his horse.
CLUN. THE OLD BARN.
Stephen talks to Robin during a break.
STEPHEN: Seeing Robin’s face by feeling it There is a way, you know.
ROBIN: A way to what?
STEPHEN: There is a way to do all the things you need to do and still find love.
Robin frowns. Stephen finishes and lowers his hands.
You’re a troubled soul. Be patient. You will prevail.
ROBIN: And you can tell all that by just feeling my face?
In the background, Much, with his arms full of his sword and bag, untangles the water flask.
STEPHEN: No. Your friend Much was telling me earlier.
Robin looks over at Much, who is taking a drink, and he and Stephen both laugh. Robin nods at Much.
SHERWOOD FOREST. A ROAD TOWARDS THE CAMP.
The Count and Marian are riding to meet Robin.
COUNT: Now I am better acquainted with your Sheriff, I’m beginning to understand why you have such admiration for this outlaw.
MARIAN: It’s not just me.
COUNT: I didn’t mean just you. I think I would like to take to the woods and fight in justice like your Robin Hood. Marian giggles. What do you think?
MARIAN: Why does a potential freedom fighter waste his life gambling?
COUNT: I am a count. My life has been managed since the day that I was born. Tradition, etiquette—it’s all so safe. I crave danger. You wouldn’t understand.
MARIAN: Scoffs Don’t be so sure.
They ride deeper into the forest, then stop. Marian puts her fingers to her lips and whistles loudly.
COUNT: Are you sure you know how to find these friends of yours?
MARIAN: I’m hoping they’re going to find us.
Robin comes out from behind a tree.
ROBIN: They already have!
The rest of the gang appear and all approach the Count and Marian, who dismount.
Brusquely, jealously: Who’s your new friend?
Robin looks the Count up and down as the latter introduces himself.
COUNT: Count Friedrich Berthold Otto von Wittersburg from the German Duchy of Bavaria... Djaq holds her sword near the Count’s throat ... and your friend.
Robin jerks his head aside and Marian follows him a few steps out of the way. The Count eyes the gang. Much steps up to take Robin’s place in front of the Count.
ROBIN: This is the Sheriff ’s guest?
MARIAN: Yes.
ROBIN: And you trust him enough to bring him here to meet me?
MARIAN: He wants to help us.
ROBIN: Disbelieving Oh.
COUNT: It seems we have a common desire, Robin Hood.
Much takes a step back to let Robin resume his place.
I mean, we both wish to see the Sheriff broken and humiliated. Marian and I were disc—
ROBIN: Interrupting brightly, jealously, looking at Marian On first name terms?
MARIAN: Jealous?
ROBIN: Of him? Sniggers briefly
COUNT: Marian has a proposition for you.
MARIAN: If you want to rob the strong room, you have to do it tonight.
Robin’s eyes gaze aside and he shakes his head slightly.
WILL: Not possible. We’re not ready.
MARIAN: Well then don’t bother at all. The Sheriff will divide the money between the Black Knights and they’re coming tomorrow.
Robin gets a bit of a panicked look about him as Will turns to Allan behind him.
After that, the strong room will be empty.
Robin thinks a bit, then smiles slyly at Much.
MUCH: I don’t like that look. That look means trouble.
ALLAN: Robin, it’s certain death.
ROBIN: Well, if that money’s going to be used to finance weapons and men to kill the King, then... clicks his tongue... we’re dead already.
NOTTINGHAM CASTLE. COURTYARD.
The Count and Marian return to the castle. Gisborne and the Sheriff are in the cloister, watching. The Count and Marian dismount and walk towards the steps. Marian notices their audience and quickly grabs the Count’s arm.
MARIAN: Kiss me.
COUNT: What?
MARIAN: Otherwise what will they think we’ve been doing all this time?
The Count deftly glances up at the cloister, then grabs Marian, dips her in front of him and kisses her passionately. Gisborne scowls.
SHERIFF: Ahh. We have a budding romance after all.
GISBORNE: Turns his head away So it would seem.
COUNT: Raises his head Hmm. Maybe one more, to make it really convincing?
MARIAN: Careful. The Count lifts her back to standing. Remember the skittles? Links her arm through his.
COUNT: Ah, ja.
They go up the steps arm in arm.
SHERIFF: He succeeded where you failed, Gisborne. So, come along. Rubs his hands together eagerly. Money to be made.
Gisborne takes one last scowling look, then follows him inside.
NOTTINGHAM CASTLE. THE GREAT HALL.
The workers are setting up for the night’s gaming.
INTERIOR CORRIDOR. NEAR SUNSET.
Djaq, in a light gold, low-necked dress, leads a parade of servants heading for the Great Hall. Gisborne passes them going in the opposite direction, then stops.
GISBORNE: You. Stop.
Djaq stops and tenses, afraid that she has been recognised, not turning around. Gisborne steps back to her with a puzzled frown.
I want the Count’s goblet filled at all times tonight, you understand? Djaq nods earnestly. Go on. Continues on his way.
Djaq relaxes and walks on, smiling at the success of her deception.
THE GREAT HALL.
The Hall is well lit by countless candles. The Count’s men carry the money chest into the Hall.
COUNT: Pointing across the room Put it here.
The men put the chest on a table by a small iron door in a pillar. Marian and the Count walk over to it.
Quietly to the men, pointing to dismiss them: You know what to do.
The men bow and leave. Marian and the Count lean on the chest.
MARIAN: There. Points to the door in the wall. The money you lose tonight goes into that. It connects directly to the strong room below. Now once it’s in there—
COUNT: Interrupting Ja, ja, I know. Our outlaw friends will steal it back for me. It seems unfair. No gambler likes to lose, even on purpose.
MARIAN: Playfully Well, if you win, the Sheriff will never let you leave Nottingham alive.
NORTH EXTERIOR CORRIDOR. EVENING.
Djaq sits on the steps at the west end of the corridor, baring a skinned knee. She gets a grip on a short, narrow club as two soldiers approach her.
DJAQ: Feigning helplessness I was running towards the Great Hall and I tripped and I fell and I think I’ve hurt my ankle. Look.
The soldiers bend over her and she hits each one in the side of the helmet with the club, knocking them out. She grabs the keys off one’s belt.
Men are so obvious.
THE GREAT HALL.
Marian and the Count stand at the end of the craps table. Marian goes over the plan with him.
MARIAN: Now play as long as you can.
COUNT: Ja.
MARIAN: Take your time. And then, when we get the signal, start losing.
They smile at each other.
THE GARBAGE DUMP. TWILIGHT.
Djaq unlocks the bar of the door to the sewer dump, turns the bar away and pulls on the rope to open the door. Little John works his shoulders through as Djaq winds up the rope to hold the door open. He pulls himself out, pulls through his staff and catches the bags tossed at him while
alternately looking at Djaq. Then Much pokes his head through and sees Djaq.
MUCH: Oh, I didn’t recognise you.
Djaq smiles at Much as Little John pulls him out of the opening. Much draws his sword and goes to stand guard. Little John pulls Will through. Will jumps to his feet and looks Djaq down and up.
DJAQ: Frowns What?
WILL: Quickly Nothing.
Will leaves and Djaq scowls after him as Little John pulls Allan out.
ALLAN: Looking Djaq up and down You wanna dress like a girl more often.
DJAQ: Facetiously, singsong Oh I do, do I?
ALLAN: It’s just a thought.
THE GREAT HALL.
The Sheriff stops by the Count’s open chest, eyeing all the coins piled to the brim.
SHERIFF: Count Friedrich.
The Count is stacking chips on the rail at the end of the craps table.
COUNT: Ja! Places a bet on the table.
SHERIFF: Fortune awaits. Good luck.
Chuckling, the Count takes Marian’s hand.
COUNT: Lady Marian is my good luck charm for this evening.
Marian smiles as the Count kisses her hand. Gisborne appears behind the Sheriff.
SHERIFF: You know, Gisborne, I have a new-found respect for our Marian.
The Count holds up the dice to Marian and she blows on them, then he kisses her hand again.
GISBORNE: Annoyed and jealous Are we to endure this ritual at every turn?
SHERIFF: Let him lose in his own way. The Count tosses the dice carelessly while looking at the Sheriff. And if he doesn’t, we’ll switch the dice.
The dice show 4 and 3.
STICKMAN: The Count wins!
MARIAN: Oh!
COUNT: Ah! Marian kisses the Count’s cheek and giggles in delight.
Smugly to the Sheriff: I won. Chuckles.
SHERIFF: Unamused Throw.
The Count throws again: 5 and 2.
STICKMAN: Count Friedrich wins!
Marian kisses the Count again.
INTERIOR CELLAR CORRIDOR. NIGHT.
Robin leads the gang down the corridor towards the strong room, holding a torch.
THE GREAT HALL.
Marian blows on the dice and smiles at the Count. The dice are rolled. The Count kisses her hand.
STICKMAN: The Count wins!
The Count shakes the dice in his hand. The Sheriff feigns a smile as the Count carelessly throws the dice: 3 and 4.
The Count wins!
The spectators and the Count cheer. The Sheriff scowls. The dice are rolled: 2 and 5. The Count and Marian cheer.
INTERIOR CELLAR CORRIDOR.
Robin turns the last corner before the strong room.
THE GREAT HALL.
Marian kisses the Count.
COUNT: Again I win!
The other nobles place their bets.
INTERIOR CELLAR CORRIDOR.
Robin approaches the door.
THE GREAT HALL.
Marian blows on the dice.
INTERIOR CELLAR CORRIDOR. THE STRONG ROOM DOOR.
Robin cautiously kneels down by the door as the others gather round. Will anxiously eyes the door as Much, holding Robin’s torch, kneels down and talks to the string near the floor, holding his finger out to it and admonishing it.
MUCH: No dogs this time.
Much stands up as Little John holds his torch to the floor so Robin can find the trip stone. Much pulls Djaq back a step out of the way as he, Will, Allan and Djaq all look in the direction of the expected arrow. Robin looks up and nods at Much, then presses on the trip stone. It sinks, but nothing happens. Much looks down the corridor.
Where’s the arrow?
ROBIN: Tensely I don’t know.
Robin leans back to glance at Will beside him, makes a decision, then motions for Will to step forward.
Go on, Will.
Will gingerly crosses to the other side and starts to remove the stone. Suddenly from his right, a dart pierces his cloak, which is luckily bunched up over his shoulder, protecting his neck. He jumps, eyes wide, and presses down on the cloth to try to get a look at it. Much steps over and pulls out the dart as the others frown in confusion and concern. Will takes the dart and sniffs its tip.
WILL: Poison. That wasn’t there before.
ROBIN: Glances aside, then sighs, disheartened. Stands his bow on its end and leans on it. They’ve changed the sequence.
MUCH: Well then, we can’t go on.
ROBIN: Tonight’s our only chance.
MUCH: If the sequence is changed, our practising is for nothing.
ROBIN: If we do not try, then all the money in there will be given to the Black Knights, and England will be lost.
MUCH: Yes, and if we’re dead, then that’s my England lost!
Robin stops and straightens up, looking at Little John. Much remains silent, ashamed of himself for arguing with his master. There is silence for a moment.
LITTLE JOHN: We go.
Robin nods and looks at Much, raising his eyebrows in question.
MUCH: Grudgingly agreeing All right. Robin glances at Little John. Adds softly: And if we die, don’t come running to me.
ROBIN: Nods Go on, Will.
Will cautiously turns back to the door as Robin turns to Little John and motions for him to come forward.
John?
Little John hands his torch to Allan and steps forward with a half staff. Will removes the stone and sets it down, all the while expecting another dart, and turns the wheel. The mechanism rattles. Robin hands Will his bow and looks back at Little John.
Ready?
Little John nods. Robin kicks open the door. Little John charges in and braces the gate open with the staff as it’s closing, the spikes just missing his face. The hourglass, set up on a ledge to the right of the money chest, starts to turn.
Djaq, tell Marian we’re in.
Djaq runs off.
Allan, John, keep watch.
Little John steps back and Robin takes his place.
Turns to Much. Much?
Much hands Robin the torch, and Robin peers into the room as Much takes the bow from Will. Sand starts to spill from the hourglass.
Pointing at the hourglass: Do not take your eyes off that hourglass.
Much uses two fingers to point to his eyes, then at the hourglass.
Bow.
Much hands Robin his bow.
THE GREAT HALL.
Djaq hurries down the stairs and takes a pitcher from a small table at the base of the stairs. She nods eagerly at Marian.
MARIAN: Turns to the Count They’re in. Better start losing.
The Count looks at the dice and tosses them carelessly. Gisborne and the Sheriff walk slowly towards the Count’s back as the Count grimaces.
GISBORNE: If that’s the way he loses, you might have to use your contingency plan sooner than expected.
SHERIFF: Mm, yeah, we’re about even. It’s early yet.
THE STRONG ROOM.
Robin shoots an arrow with a rope tied to it into the crevice between a beam and the ceiling, then another one into a crevice further away. With his foot in a loop, he swings across on the first rope, but can’t quite reach the second. A horizontal spinning saw sweeps across the ceiling, severing his rope, and he falls to the floor, catching himself on his hands and toes. Much and Will watch, wide-eyed. Robin looks back at Much.
THE GREAT HALL.
SHERIFF: to Gisborne Don’t think about them.
DJAQ: Urgently to Marian, filling a noble’s goblet Marian.
MARIAN: Whispers to the Count We have to start losing.
COUNT: I’m doing my best.
MARIAN: Time is running out.
THE STRONG ROOM.
ROBIN: Whispers sarcastically Oh, brilliant!
Robin, lying on his stomach, knows there’s no way across but along the floor. He leans on a wide stone as he starts to crawl and the stone sinks. He quickly gets his weight off it and flattens himself on the floor as several darts fly across above him. When they stop, he looks back at Much again.
MUCH: Motioning Go on!
Robin slithers across the floor, testing stones as he goes. They seem good, but as he tests the next one, the one he’s leaning on suddenly sinks.
Watch out!
Darts fly again and Robin presses himself against the floor. The sand continues to spill.
THE GREAT HALL.
COUNT: Sheriff, let us make things interesting.
The Sheriff takes a step towards the Count.
Everything I have against the entire contents of your strong room.
The corners of the Sheriff ’s mouth twitch and he looks around.
As we say in Bavaria, “Das letzte Hemd hat keine Taschen.” [Literally translated, “The last shirt has no pockets.”]
The Sheriff and the crowd are silent as none understands German. Marian frowns.
You cannot take it with you. All laugh. Sheriff, what do you say? It’s only money.
SHERIFF: Looks around, thinking I agree.
Marian lets out her breath as the crowd applaud.
THE STRONG ROOM.
Robin, crawling across the floor, hears a rumbling sound to his left. He glances back at Much as the sound grows louder, then rolls onto his back just as the floor beside him falls away into a deep, fiery pit. Much covers his face with his hands. Will watches nervously. Robin looks down into the pit, then glances at Much, who uncovers his face. Robin lets out a sigh of relief and looks up at the chest before he rolls over and continues forward.
THE GREAT HALL.
SHERIFF: It’s such a... momentous game. Might I suggest... Marian looks nervously at the Count ... a change of dice.
COUNT: Pretending to be the idiot As you wish.
The Sheriff chuckles as Marian smiles. A man holds out new dice. Both the Sheriff and the Count reach for them, and the Sheriff lets the Count take them.
Inspecting the dice: Ja. I see.
Djaq worriedly looks at the Count.
Ah, uh-huh. Ja!
THE STRONG ROOM.
Robin stands triumphantly at the end of the room.
ROBIN: You see, it’s easy once you know how.
A mechanism releases and Robin steps back as a large axe swings by his head. Keeping his eyes on the blade, he turns his back to the chest and steps backwards before the axe swings back in front of him. He looks over his shoulder at the chest.
THE GREAT HALL.
The Count has the dice.
COUNT: Excellent!
The Sheriff steps back. Marian smiles. The nobles around the table gladly place their bets. The Count holds the dice up to Marian.
COUNT: For luck. Marian blows on the dice. Ho-ho.
The Count tosses the dice carelessly: 1 and 1.
STICKMAN: The house wins!
The crowd groan in disappointment. Marian looks at the Count, who pretends to be stupidly disappointed. Djaq smiles and leaves to go back to Robin.
THE STRONG ROOM.
Sand pours from the hourglass.
ROBIN: Hang on. What’s this?
MUCH: Nervously, eyeing the hourglass Master, please get out of there. There’s no time!
ROBIN: Chuckling Oh, Sheriff.
Robin puts his hands on either side of a large pane of glass set into a narrow, close-fitting trough chiseled in the top of the stone plinth.
Inspecting the glass: It’s another trick. It’s an illusion... an image thrown onto a sheet of [pulls out the glass] glass!
Behind the glass is a small etched and painted piece of glass in a frame, illuminated by a candle behind it. Robin sets the large sheet aside. He looks behind the stone where the glass was sitting.
The money is not here.
Much and Will exchange glances.
THE GREAT HALL.
The Count steps between Marian and the Sheriff. Gisborne is standing behind the Sheriff.
COUNT: Lady Marian... Marian turns to face him.
Feigning anger: You have brought me nothing but bad luck. Your attentions are no longer welcome! Auf wiedersehen! Winks at her and turns to leave.
The Sheriff feigns a sad face, then clicks his fingers at the soldiers and points to the Count’s money chest, indicating they should get it. Marian turns her back on him and Gisborne and smiles. Gisborne steps up behind her.
GISBORNE: Well done, Marian.
Marian drops her smile.
It wasn’t so hard, was it?
MARIAN: Happily, without turning around. No, it wasn’t.
Turns to leave in the opposite direction from the Count, keeping her smiling face away from Gisborne and the Sheriff.
SHERIFF: to Gisborne Excellent. The war chest has doubled in one night.
The Sheriff chuckles as the soldiers open the vault door.
THE STRONG ROOM.
MUCH: Master, get out of there.
ROBIN: Shh!
Robin is leaning over the plinth and listening, hearing coins jingling. He follows the sound down the wall and hears the coins landing near him. Much and Will look up, hearing jingling coins, too. Robin smiles, looking at the plinth in front of him.
ROBIN: to himself Yeah.
Robin pushes the top of the plinth back with all his strength.
MUCH: What are you doing? Just leave it!
ROBIN: Well, we’ve come this far!
The stone top slides off to reveal a large collection of coins and more spilling into it.
ALLAN: Steps in behind Will What’s he doing?
WILL: Raises his hand Wait!
ROBIN: Chuckles The money is here. To Much: The bags, quickly!
Much sighs at Robin’s obstinacy and struggles to unbuckle his shoulder strap as more sand pours out.
WILL: Go on, Much. Sees Much struggling to get the bag open. Impatiently, grabbing at Much’s bag: Give me that!
MUCH: All right! All right!
Much quickly unbuckles the strap and tosses the bag to Robin. Robin catches it, opens it and starts taking out sacks as the hourglass relentlessly spills sand. Will bangs impatiently on the gate as Robin starts scooping up the coins.
INTERIOR CORRIDOR.
Djaq and the Count catch up Marian who is walking down the corridor.
DJAQ: Marian.
COUNT: My men have the coach ready. Your friends?
MARIAN: If they have succeeded we will know soon.
COUNT: And if they haven’t?
Marian sighs, not wanting to think about that.
THE STRONG ROOM.
Robin tosses full money bags to Much. After three bags, Much looks up at the hourglass.
MUCH: The hourglass!
Robin glances at the nearly empty glass.
Catches a bag. Why... [catch] ... do we leave... [catch]... everything... [catch]... to the last... [catch]... second?! [catch]
ROBIN: Well ... The hourglass spills its last grains. I find it’s more fun that way.
The weight of the full hourglass trips the stone on which it’s sitting and a bell starts to toll.
INTERIOR CORRIDOR.
The Sheriff and Gisborne chuckle as they leave the Great Hall, then stop in their tracks as they hear the bell tolling.
SHERIFF: No.
THE STRONG ROOM.
ROBIN: Come on! Go!
Much turns from the gate as Robin dashes across the room with the last money bag. Darts fly behind him. He stands in the shelter of the doorway and watches as the molten lead begins to flow from stone-carved hawk-head spouts on the walls. Robin smiles, picks up his bow and runs.
INTERIOR CORRIDOR.
GISBORNE: The strong room?
SHERIFF: Guards!
The Sheriff and Gisborne run for the strong room.
COURTYARD. NIGHT.
The Count walks briskly out of the main doors. He calls to the guards.
COUNT: Help! You men! Quickly! The Sheriff is under attack!
The sentries at the gate come running inside as the Count nervously heads down the steps towards his coach, where the gang are dressed up in his servants’ oversized suits. Djaq waits by the castle doors. Allan resumes tossing the money bags to Will standing by the coach. Will, in turn, tosses them inside to Much. Robin is waiting outside the coach with the Count. Marian comes up and stands behind Djaq, waiting for all the guards to run inside. After the last one passes, they pull the doors to the castle closed and put a bar through the rings. Robin jumps out of the coach and is about to hop onto the back as a footman when he sees Marian coming down the stairs with Djaq.
ROBIN: Winks at Marian Look at you! Jumps up onto the back of the coach.
Marian smiles broadly, flattered. She walks up to the Count standing by the coach door.
COUNT: You must be careful. If I can see the friendship between you, so may others.
Robin leans down to listen in.
MARIAN: Don’t worry. I crave the danger.
COUNT: If you are ever in Bavaria, I remain, my lady, your servant, your booby... kisses her hand... and your friend.
Marian laughs as the Count joins Much into the coach. Robin stands up and takes his place, satisfied she has no interest in the Count.
MARIAN: You’re funny.
COUNT: You are beautiful.
MARIAN: Closes the coach’s half-door You are leaving.
Marian steps back from the coach and watches it go. Will, Allan and Djaq hang onto the sides as Robin and Little John wave from the back and duck under the overhanging portcullis. Marian lingers a moment, then hurries up the steps towards the east corridor.
THE STRONG ROOM.
The Sheriff and Gisborne peer inside.
SHERIFF: My war chest and the booby’s money. The Sheriff grabs Gisborne’s jacket.
But they can’t have done! Butting his head against Gisborne’s chest: No, no! Releases Gisborne.
Gisborne tries to loosen the stick wedging the gate open. He inspects the rest of the strong room’s safeguards in the doorway as the Sheriff displays his rage.
Holding his hands out: No. Kicking a soldier in the knees: No!
Grabbing the soldier by the shoulders: No! Throwing him into another on the opposite side of the door: No! Punching a third in the face: No! Starts to punch a fourth, but stops, shaking his fist instead: No!
The Sheriff gently slaps the fourth one’s face with the back of his hand and leaves. Gisborne steps after him, sneers while showing his temper, and follows.
SHERWOOD FOREST. A SMALL ROAD.
Much and Little John are loading the Count’s share of the money into a trunk as Allan watches. Djaq is talking with the Count. Robin faces Stephen and Will, arms folded, saying goodbye.
ROBIN: to Stephen: Count Friedrich will take you as far as the coast. I cannot thank you enough for all your help, Stephen.
STEPHEN: Yes, you can. The families of the men that died...
ROBIN: We’ll look after them.
Stephen reaches out to feel Robin’s face.
STEPHEN: You will prevail.
Robin nods as Stephen pats his shoulder. Stephen puts his other hand on Will’s shoulder so Will can lead him to the coach. Robin nods at Will, who reaches up his hand and puts it on Stephen’s. They walk to the coach as the Count steps over to Robin.
ROBIN: Now you’re sure about your route? You stick to the smaller roads. The Sheriff will have the main ones covered.
COUNT: Ah, another bumpy ride. This country! By the time I get home I will be perfectly scrambled.
Little John brings over the Count’s chest and sets it inside the coach. Robin points at it.
ROBIN: This is your money. Puts hands on his hips. And thank you. England is for ever in your debt.
COUNT: Take it. Keep it.
ROBIN: What?
COUNT: England’s debt is to Lady Marian, not me. Spend it wisely, Robin Hood.
ROBIN: Nods. Jealously About Marian...
COUNT: One gamble I would have given anything to win. You’re a lucky man, Robin Hood.
Robin pats his shoulder and the Count climbs into the coach. Much closes the door. Farewell!
The coach rumbles down the road followed by the Count’s two outriders.
ROBIN: Sighs, smiles. Right. Work to do.
LOCKSLEY.
Robin is chewing on a stalk of wheat as the gang watch and wait. A village man discovers a food basket and motions to his wife to come see it.
ALLAN: I’m not being funny. The poor have it easy.
LITTLE JOHN: I don’t think so, Allan.
Further on, another family discovers a basket.
ROBIN: This is what we do, lads. We’ve turned war chest ...
Another young woman finds a basket, pulls out a loaf of bread and hugs it to her.
... into poor chest. Looks at Allan. Well, come on. We have four more villages before sundown.
Robin stands and walks through the village. The others follow. Robin takes out his knife. Much slings a sack over his shoulder. Will bends down and picks up his sack, walking next to Djaq. Behind them, Little John and Allan walk, each with a sack over his shoulder.
MUCH: I’ve been thinking. We’ve never been to Germany.
ROBIN: No.
Robin spins his knife in his hand.
MUCH: If, er, things don’t work out here, then, er, maybe the Count would have us over there.
ROBIN: Stops walking. Ah, Much, Count of Schleswig-Holstein.
The gang laugh and Robin smiles.
MUCH: What’s so funny?
Robin shrugs. Much holds his head up proudly.
I could be Count of Shlessy... or whatever.
WILL: It’s hard to be count of a place you can’t pronounce.
MUCH: Not necessarily.
Allan claps Much on the shoulder.
ALLAN: Nah. Sovereign of Sherwood, mate. That’s you.
ROBIN: Spins his knife. Well, that’s us, lads. Sovereigns of Sherwood.
END OF EPISODE TWO